Inks: The Journal of the Comics Studies Society, vol. 4, no. 1, Spring 2020, pp. 44–65.
Abstract: Thi Bui’s The Best We Could Do, a graphic memoir centering on her family’s experience with war in Vietnam and with resettlement in the United States, earned critical acclaim upon publication in 2017. It touched a nerve with U.S. readers attuned to their country’s rising xenophobia, eliciting praise for humanizing refugees. Her comic certainly stirs compassion with its fusion of emotive drawings and text—but it does more. Bui subtly encourages readers to not only see refugees as human but to realize that no polity exists apart from migrancy. Situating her book in recent postcolonial theory, I read it as a commentary on the shifting nature of history and nation. Bui presents no singular homeland, past or present, implicitly calling into question Americans’ desire for a walled nation and bounded culture.
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